The Da Vinci Code
Da Vinci Code

·
Yes, some difference I found in the
portrayal of Women character in films. Women are always portraying as a double
marginalized one. In reality women can suffer a lot. Now a day, we can found some
changes in the position of women. If we talked about Ophelia in Kenneth
Branagh’s Hamlet, she is very intellectual or slight different than the Hamlet
of Shakespeare. Kenneth Branagh takes more freedom in portraying woman. At the
end Ophelia goes in madness and she died. Elizabeth also killed in the movie.
Hester Prynne is out casting from the society. And all these three women are
portraying from the point of view of male or through the eyes of male. But
obvious, that the body of women more objectified. Hermione and Sophie’s
physical appearance is more controlled in film. Both are very intellectual. No
doubt that the movie’s theme “Feminine Sacredness” is played a vital role in
portraying the female character like Sophie. But what camera played is also
important thing.
The power of the female and her ability to produce life
was once very sacred, but it posed a threat to the rise of the predominantly
male Church, and so the sacred feminine was demonized and called unclean.
· According to me the narrative and the
story of the novel “The Da Vinci Code” is more agreeable, more convincing to
the contemporary youth. Other thing is every age has its youth, which can be
conditioned and is conditioned from ages. If the youth is having space to
spread their horizons, then they would not be satisfied with even the
narratives like “The Da Vinci Code”. It is desirable that youth should not be
convinced by any of these three narrative. But the attraction of most of the
young people will certainly go for “The Da Vinci Code” rather than “Genesis”
and “Paradise Lost”.
· ‘Knowability’
it means person don’t know that what he don’t know Robert Langdon or Sophie or Leigh Teabing or even Silas all
are in quest of knowledge. They see it in holy grail but ultimately they want
to ‘know’ something. And when the knowledge dawns upon Langdon or Sophie it
comes as an abstract thing
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